And remember, always rehearse slowly at first and then build up to a normal pace. if you can't think of cool moves and don't have the money for a moderately-trained professional, just rent a few films with hand-to-hand combat and watch them in slow motion.
Tuesday, July 6, 2010
Tarantino On A Budget: Fight Sequences
And remember, always rehearse slowly at first and then build up to a normal pace. if you can't think of cool moves and don't have the money for a moderately-trained professional, just rent a few films with hand-to-hand combat and watch them in slow motion.
Friday, July 2, 2010
Apps Coming Soon to a TV Near You
My love of Apple is based purely on the simple fact that their products actually work as advertised and do what they are supposed to do consistently with simplicity and elegance. (Albeit, having a little Apple stock in the portfolio has also not hurt my love of the company - it's increased a whopping 5x since I first got it a prior to the release of the first video iPod.)
Those 3 traits- consistency, simplicity and elegance - have been sorely missing from many other tech products/software I've bought from other companies, most of which are gathering dust in my basement.
So with today's article in the New York Times touting a rumor that Apple appears be revamping it's Apple TV product and making a strong push into our living rooms, I see one of the final pieces in the puzzle of the evolving new media landscape I've been talking about on this blog for more than 3 years now...Digital convergence of our computers/tv/web into one unit which I believe will very shortly offer the ability for filmmakers to distribute their products direct to an audience with no middleman or gatekeepers and even charge $$$ for it.
So once again, I'm telling y'all to study these developments and really think about how we as filmmakers can be first-movers to take advantage of this shifting media landscape. Down and Dirty DV will most definitely be somewhere in the early fray.
Hollywood gatekeepers, dust off your resumes. Time's are a changing!
Thursday, July 1, 2010
Rare Movie Role Models for Kids of Color
I enjoyed The Karate Kid as a typical fun summer blockbuster, but I especially enjoyed it for the "break out" characters it presented to my 7-year old son. To clarify, it wasn't so much the characters that were break-out, as the fact that they were all people of color in a mainstream movie who my son could relate to and identify with.
While that may not sound like much to some, it's a huge deal to many of us parents who's kids struggle to reconcile the fact that no one looks like them in 95% of the media images they consume. (And the few that do, are often poor role models, impoverished or flawed characters.)
My son is Black and Chinese, so I racked my brain to offer him alternative Black or Chinese movie heroes, but I couldn't think of many outside of Bruce Lee and Jackie Chan, because so few exist in the mainstream media. So The Karate Kid was an answer to my parenting prayers.
Media images have such a powerful and long-term psychological effect on our society, that I believe such a sustained move could alter a whole generation's self-perception....for the better for a change.
We need and like to be heroes too.
MORE:
Here's filmmaker, Alrick Brown's, Blog Post on the issue.
The Karate Kid Trailer:
THE KARATE KID: Movie Trailer - Watch more top selected videos about: The_Karate_Kid_(2010_film), Jaden_Smith, Jackie_Chan, Harald_Zwart, Taraji_P._Henson
Monday, June 21, 2010
Ant's Sudden Absence
Firstly, on May 29th after a brave battle with pancreatic cancer, I lost my mother, Norma Elizabeth Artis (without whom there would be no Down and Dirty DV) at the age of 63.
She was a dedicated single mom who sacrificed many things to provide a better education and opportunities for me that have in turn allowed me to help so many others better educate themselves and create career opportunities. She was so proud. I'm sad she won't get to see all that I know Down and Dirty DV will become.
Then 2 weeks to the day mom passed, I lost my most dog, Shaft, who's been my most loyal companion, "first child", confidant (Shaft never talked) and protector for the last 14 years.
So needless to say, it's been a very rough season in the Artis household, so Down and Dirty DV operations have been minimal for awhile now while I try to begin to get back to "normal" (eventhough that word can't possibly hold the same definition for me moving forward). I don't have the words to describe how much I will miss them both and the incredible void I feel in my life and home now.
Thanks to everyone for the kind emails and words of support. They are appreciated. Please continue to be patient as I deal with things, but look for updated posts to this blog starting again soon...The world don't stop. I got's to keep keepin' on.
Wednesday, May 5, 2010
Watch Paola Mendoza's Touching Doc, "Autumns Eyes" for Free
Watch tonight's Double Down Film Show guest, Paola Mendoza's, previous award-winning film, Autumn's Eyes which was made with her partner, Gloria La Morte. It's a touching story of how incarceration and environment affects the children left behind.
Then tune in tonight to here all about the trials and tribulations of making her new award-winning film, Entre Nos, opening at The Quad Theatre in NYC on May 14th.
Last Chance for DCTV Summer Internships This Friday!
DCTV Summer Internships
If you’ve been thinking about applying for a DCTV Summer Internship, this is your last chance! Don’t miss out on this fantastic opportunity to be a vital part of NYC’s indie filmmaking community, working alongside our staff while learning skills and accessing resources that DCTV provides.
Applicants with Development and/or Social Media experience are especially encouraged to apply. Other departments seeking interns include: Productions for Hire, Pro-TV, Sales/Distribution/Archives, and Training & Resources.
Find out details & download an application form here.
(reposted from http://dctvny.org)
Tuesday, May 4, 2010
Actress/Writer/Director Paola Mendoza on the next Double Down Film Show!

Recently named one of the 25 New Faces of Independent Film by Filmmaker magazine, Paola began as an actress and crossed over into filmmaking with the award-winning documentary, Autumn’s Eyes, before writing, directing and starring in Entre Nos. The film was co-written/co-directed and edited by Gloria La Morte who also edited Autumn's Eyes.
- How did she shoot a feature with 2 child leads in only 18 days?
- What’s the most important thing she does as a director every night?
- How did they find convincing non-actors as her child leads?
- What perils of tapeless shooting did the crew overcome?
- How can you get a community involved with your film?
...All will be revealed on the next Double Down Film Show with our special guest, Paola Mendoza. Paola’s new film Entre Nos will be opening in New York on May 14th and appearing on HBO later in the Fall.
We’re taking the summer hiatus to get our own filmmaking jones on, but will be back this fall with Season #3 and more practical wisdom and advice for filmmakers! Join us for the big season finale this Weds. May 5th!
Every Wednesday, 9pm - 10pm E.S.T.
Call-in Number: (646) 929-1956
Listen to it on your computer
or phone live TONIGHT at 9pm
Stream or Download here:
http://www.blogtalkradio.com/DoubleDownFilmShow
OR
Take it to go and never miss a show:
Subscribe to the iTunes Podcast
***PS - If you can't tune in live, you can always stream the show or download the .mp3 file later at the site above.
Sunday, May 2, 2010
A Blurb on IFP by Yours Truly, Christa

I am posting the article here, but you can check out this article and future ones at http://independentfilmmakerproject.blogspot.com/
IFP Member and U.S Delegate Christa Boarini Blogs Hot DocsI guess depending on your level of experience in film festivals and your degree of success within the film industry, you view festivals quite differently. I, Christa Boarini, am a New York based filmmaker, working on my first feature length doc. Needless to say I am more of a buzz-following festival goer than one who is buzzed about. At least for now.
It is day 3 at Hot Docs International Documentary Film Festival, here in Toronto. True, the real heavy industry stuff begins tomorrow, Monday, but even in these past three days there has been a lot of mingling, theatre-going, crying, laughing and badge-reading. Things may have been a bit slow here in the Filmmaker Internet Lounge/Sales Desk (the first couple of days offered only complementary water, while now there are tables decked out with coffee and gourmet local teas).
But now fellow Industry Pass holders wander in an out, having meetings, checking their email, having some coffee or trying to sort through the three or four thick textbooks of information that came in the goodie bags they give us at registration. We get a Program Guide, an Industry Guide, a guide of attending commissioning editors, etc etc etc. All great and useful information, but it takes a while to sort it all out.
Oh, and if you are coming to Hot Docs later next week, be sure to ask for a flexible badge holder. The others break.
In any case the festival so far is has proven to have nicely balanced programing, combining the heavier humanity-is-awful features with equally as compelling docs that leave you feeling happy to be human. For example, yesterday I watched Talhotblond, a cautionary film where a cyber love triangle of people who have never met ends in a 23 year old man's death. The young man's parents were there, they cried, we cried, it was wonderfully heartbreaking. I then walked over to the screening of Wasteland and my broken heart mended and soared to see a mixture of art and opportunity and good things happening for good people. You simply must see Wasteland and you will instantly understand why it has won the Audience Awards of basically all the film festivals it has been at.
Another great thing to take advantage of is a new program added to Hot Docs this year called "Ripping Reality: Essentials from Documentary's New Wave". This compilation of great documentaries made in recent years gives us the opportunity to see these wonderful films on the big screen. Whether you've seen the film a million times and it is the reason you decided to quit your job and go into documentary filmmaking, or if it is a movie you've heard of but never got around to seeing, Ripping Reality has so far been a great success.
So, between the regular film screenings, the Industry Only events, the parties, the Rendezvous meetings, the Documentary Forum, the International Co-Production day etc, I have had to make out meticulous schedules for every day, reminding me of what I am going to see, what meetings I have and what are the must-attend events of the day. So far it has been a great experience and I plan to take full advantage of it. By the time I get back to New York on May 10th I plan to be absolutely exhausted.
Tuesday, April 27, 2010
20 Things Filmmakers Should Never Do- On The Next Double Down Film Show!

On the next Double Down Film Show co-hosts Anthony Q. Artis and Pete Chatmon will be running down their list of 20 Things Filmmakers Should Never Do. We all know that there is no specific magic formula for success in filmmaking. Those that have achieved their goals have done so using a wide range of tactics and by taking a variety of paths.
However, there is a very clear and specific list of things NOT to do that can hinder your filmmaking, bust your budget, or even completely derail your career in the industry. Unfortunately, most of us compile our personal list of things not to do through expensive and morale-busting trial and error.
Listen in tonight with pen in hand as we share with you our candid observations of what not to do. The more of these things you know and learn the easy way - from someone else’s mistakes - the closer you will be to finding out your own path to filmmaking success.
Tune in tonight for another classic episode of The Double Down Film Show. No B.S. and no holds barred, just straight talk and practical advice from the grimy trenches of indie film from our lips to your ears...not just for your film, but for your film career.
Every Wednesday, 9pm - 10pm E.S.T.
Call-in Number: (646) 929-1956
Listen to it on your computer
or phone live TONIGHT at 9pm
Stream or Download here:
http://www.blogtalkradio.com/DoubleDownFilmShow
OR
Take it to go and never miss a show:
Subscribe to the iTunes Podcast
***PS - If you can't tune in live, you can always stream the show or download the .mp3 file later at the site above.
The Status of "Indie"
Does it irk you too when the Big Bad Studios put a cool sounding name on a branch of their company and call their films "Independent"? This article from Filmslate Magazine.com tells a little about the history of "indie" film and how it has changed for and against the indie filmmaker.
With some inspiring bits
"Independent filmmaking at this level is a balancing act between the aspirations of the filmmaker, the budget, and the reality of what will happen to the film once it’s done."
and some not so inspiring bits:
"While some mainstream Hollywood films suffer from too many executives having their say until the script is watered down, independent films may suffer from not having any oversight whatsoever. The story will wander, and scenes will be too wordy and go on longer than they should."this article provides some nice bits of truth as told by a fellow indie.