Showing posts with label book reviews. Show all posts
Showing posts with label book reviews. Show all posts

Tuesday, October 20, 2009

Author, Barry Hampe, Tout's Our "Back Door to Film School"


Barry Hampe, the author of the documentary book, Making Documentary Films and Videos (2nd. Edition) gave his endorsement of The Shut Up and Shoot Documentary Guide in a post on the International Documentary Association's website, Documentary.org .

I should take this occasion to return the favor and point out that Barry's book is also an excellent resource for budding doc makers. I give more broad strokes of doc-making with a focus on specific technical and practical production tips...Barry gives more detailed strokes with a heavier focus on storytelling, ethics, and editing. Put both books together and you're well on your way to a dynamite doc...


Barry's "SU&S" Review for Documentary.Org

"The back door to film school is now open," Anthony Q. Artis writes at the end of his preface to The Shut Up and Shoot Documentary Guide. And it's true. He has lovingly placed a complete video production course between the covers of a book. Here are all the things a conscientious film teacher tells his students. And, new media being what it is, he's also included a DVD showing, among other things, examples of good and bad sound along with interviews with prominent documentarians...
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Tuesday, November 25, 2008

What Type of Filmmaking Info Do YOU Want?

Check out the latest review for Down and Dirty DV's runaway hit film book, The Shut Up and Shoot Documentary Guide, in the current issue of MovieScope magazine.

Thanks again for everyone's continued support of Down and Dirty DV. Your purchase of our premium products allows us to put out even more FREE resources like this blog and our podcasts.

Well, that book is history now. It's been written and released into the Universe. Now it's onto the next ultra-practical hyper-illustrated film book, The Shut Up and Shoot Filmmaking Guide which will focus on narrative production techniques and practice. If all remains on schedule, the new book will drop late Fall 2009.

I don't write these books fo me, but for you- new and old digital filmmakers with limited resources- otherwise known as The Down and Dirty DV Nation. So my question to all of you is:

What type of practical, hard-to-find, valuable, time and money-saving information would YOU like to see in the upcming Shut Up and Shoot Filmmaking Guide?

Holla at me with your ideas by leaving a comment below or feel free to email me at anthony@downanddirtydv.com.

If you are not on our FREE mailing list yet, make you sign up in the red box on our blog to recieve special offers and discounts on the new book as well as the first in the series and very long-awaited-almost-done-but-not-quite-yet instructional DVD on location audio recording.

Let a brotha know and I'll put it in there.

-Ant.

Tuesday, August 19, 2008

American Cinematographer Gives Down and Dirty Props

"As one might guess from the emphatic title of his book, The Shut Up and Shoot Documentary Guide author Anthony Q. Artis is more than just a filmmaker, teacher and writer — he’s a sort of DV evangelist, a man on a mission to educate everyone about the benefits of digital production and postproduction."
- Jim Hemphill,
American Cinematographer Magazine



Since he described me (accurately) as a DV evangelist, let me give you a brief guerrilla sermon...

"The Shut Up and Shoot Documentary Guide" which began as a little self-published B&W guerrilla book that I wrote during my subway commute has already received more attention and positive reviews from all over the world than I could have hoped for, but the one I just got today is particularly special because it comes from one of the most respected magazines in the industry - American Cinematographer.

Way back when I first unveiled the very first version of this book at Sundance some 3 years ago hustling it out of my backpack as I walked up and down the steep Main Street hill in Park City I was so excited to finally see people's reaction to something I had put so much of my heart into. Not unlike with filmmaking, you bust your ass, your wallet and your brain for a long period of time never really sure if people are even gonna "get" your vision- or even worse if they are gonna think it sucks.

In as much as people may think I exude confidence, the reality is that I am just as insecure and unsure as the next person...I just don't let those feelings stop me. I can't afford to and neither can you as an aspiring filmmaker. Whether you are making a movie, writing a book, or starting a new company, any serious achievement will involve a constant head game that you have to win.

As filmmakers we are all aware of the pitfalls of budget, inexperience, faulty equipment, etc. But we rarely consider the biggest pitfall of all - the negative voices in our own heads. (I like to think of them like that line from the Exorcist that goes something like, "The Demon knows your weaknesses. He will mix lies with the truth to confuse you". I take that line as a metaphor for those voices of doubt in all our heads.)

I can't count the number of times I wanted to quit, thought I was wasting my time and money, was rejected by someone I really wanted to help me with the project or was just worn the hell out from hustling and trying to maintain a life outside of the project. Understand that these doubts ARE the very first tests. It's all part of the process. It's where 90% of the people with visions are shut down before the vision even sparks. I suspect there are hundreds of would-be indie hits, #1 tv shows, or even bonafide Oscar contenders half-written, half-shot, half-edited in closets and paper piles all over the world...dreams deferred.

I submit the below review from a American Cinematographer as proof that those voices are all full of shit and that if you have a film, a business, a book...any major personal achievement that you want to get off the ground and bring to completion- you've gotta do your damnedest to protect that vision from your own self doubts, because you truly never know how people will react to your vision unless you complete it and get it out there.

And in the best case scenarios you'll discover what I discovered in this process - completing a major artistic vision ain't easy, but it ain't impossible either. People with far less brains, talent, and character than you and me have successfully completed their visions. In my experience as an educator and film consultant, the biggest thing stopping us is usually us.

Pick a specific goal, ignore the negative voices and never stop moving towards it (however slow or meandering a path you have to take) and you will ultimately achieve it. Here's the proof: