Showing posts with label guerrilla tactics. Show all posts
Showing posts with label guerrilla tactics. Show all posts

Wednesday, October 20, 2010

Is Guerrilla Filmmaking For You? Discussion


Recently in their newsletter, Shooting People sent a link to this discussion: Is Guerrilla Filmmaking For You?

This fellow film blog, A Recipe to Ambleton Delight, discusses how, just because you have a guerilla crew, doesn't mean that your film will benefit from the indie style. Both this article and the blog in general are worth checking out.

For anyone interested in the topic further, Anthony teaches a full seminar on guerrilla film mindset and tactics called "Down and Dirty Filmmaking: Guerrilla Tactics - Professional Results"

Here are some video clips from the seminar:

Guerrilla Special Forces




Attracting Name Talent






Friday, April 23, 2010

When "Safety First" becomes more than a Suggestion


There is this great part of Jerry Seinfeld's "I'm Telling You For The Last Time" standup set where he talks about warning labels and comments that the ONLY label warning that humans consistently pay attention to is "Dry Clean Only".

Low budget and guerrilla filmmaking is inherently risky. You are making due without the top notch tools of the trade and going around a lot of hoops instead of jumping through them. And it is fun sometimes. It is thrilling and invigorating when everyone on set is willing to do anything to "get the shot".

We look back at times when things go wrong on set and often laugh. You feel the adrenalin pump when the dare devil Dp is on his tiptoes on the top of a ladder, you have actors do their own stunts, you tell war stories of the time that lamp caught fire. "Danger" is our collective middle name.

It is all fun and games until someone gets so hurt they die, and then it is dead silent.

A long and Enquire-esque article came out in the Village Voice two weeks ago about a tragic accident on an NYU shoot last year where a young man died electrocuted. The event was horrible, it should never have happened. The article, though, is tainted with a taste-less flair for the dramatic.

Callously titled "NYU's Snuff Film", the article goes into details about the different events that lead to the electrucution, and the aftermath it has had on NYU students and on the crew that was there that day. Having been on set that set in Georgia myself, and having been a friend of John (the young man who passed away), I am disturbed by the article not just because it brings back haunting memories, but because of glaring omissions, pointing of fingers and the style in which it was written.

REGARDLESS of that, I am still writing this entry and telling people about the article because if any good comes of it it is that people are aware of what the worst that can happen really is. This particular event was the result of a butterfly effect-like chain reaction with no one single causing factor. So you never know what weak link is going to bring the whole production down. The best you can do is prevent.

A student is quoted in the damned Voice article:
"I look at every future project in a different way now. I fully understand the risk I take, and the risk I assign to those who work with me and to those who follow my directions. Safety, and making sure we don't try to 'get away with it,' is a much bigger deal. If I see something dumb happening, I'm going to stop it right away. If 'getting the shot' or 'making the day' is going to involve an inordinate amount of risk, it's no longer a good idea the way it used to be."

Read the instructions. Spend the extra money on safety precautions and insurance. Get pro's to do a pro's job. If you are a fan of Down & Dirty, check out the safety measures described in the Shut Up & Shoot Documentary Guide. It just really is better to be safe than sorry.



Sunday, February 28, 2010

Indie Film Boot Camp Early Bird Discount EXTENDED!

Indie Film Boot Camp - Promo 2 from Anthony Artis on Vimeo.

We know many of you don't get paid until Friday, so by popular demand, we've extended the special Indie Film Boot Camp Early Bird Registration price of only $99.00 until Saturday, March 6th. Last chance to register for Indie Film Boot Camp for cheap! (Just don't say I didn't try to put you down before the price goes up again and the last seats sell out.)

What type of practical tips and wisdom will we be doling out all-day long?

The same type of straight-up practical instruction that made our Shut Up and Shoot Documentary Guide the #1 film book in the country...Here's just a few brief minutes from one of 6 seminars of an 8+ hour day jam-packed with all the real-world tips, tactics and advice that we only learned the hard way:



Come to Indie Film Boot Camp on Sat. March 27th for much more practical real-world filmmaking instruction from myself, Pete Chatmon and new media and music video whiz kid, Benjamin Ahr Harrison.

Apart from guerrilla tactics for professional results, we'll be covering:

  • Wooing and Directing A-List talent
  • Making a Name for Yourself
  • Fundraising
  • Effective Pitching
  • Documentary Interview Techniques and Logistics
  • Attracting Investors
  • Real Networking
  • Low Budget Music Video planning and logistics
  • Adding production value w/ After Effects
  • Strategies for Rising Above Entry Level Jobs
  • How and Where to Train Yourself
  • Plus tons more straight up practical info!
Register now at: IndieFilmBootCamp.com

Tuesday, July 14, 2009

New Excerpts from Ant's Guerrilla Filmmaking Crash Course

I have a confession to make...I am a dedicated film and video maker and have been for more than a decade now, but my current reality is that I have actually come to enjoy teaching others what I've learned through the years more than actually doing it.

Don't get me wrong, I still stay on my video and filmmaking grind and I still like it, but teaching it, inspiring others and making light bulbs go off in new filmmaker's heads really gets me fired up and I love doing it. I could (and have) done it for 8 hours straight many times. Hence this entire Down and Dirty DV project that's developed over the last few years.

So to that end, here's a few quick tidbits of FREE and valuable (words rarely seen together) guerrilla filmmaking advice that I offered in my last Guerrilla Filmmaking Seminar at the B&H Event Space.

There's only so much time on the radio show and blog to get into specifics, but in the seminars and products I can break things down in more detail. If you like what you see and want to get he whole presentation including all the illustrations, slides and inappropriate humor, this entire seminar is available on DVD HERE.

Also, it's still in the discussion stages, but I think I'll be teaming up with the good people at B&H again in the very near future to offer an unprecedented educational opportunity for knowledge hungry guerrillas. So stay tuned for an official announcement in the coming weeks.

For now enjoy this newly released video clip...

Friday, June 6, 2008

Down and Dirty DV Trick: Getting a dolly or crane shot with just a tripod.

This simple technique epitomizes the Down and Dirty philosophy: Getting a high production value for your project at little or no cost by coming up with creative solutions.

Using just a Mini Bogen or a similar video tripod and zooming all the way out (the wide end) of your digital video camera's zoom lens, you can achieve impressive short dolly/crane shots that rival results from an actual dolly/crane. Check out the video below to see how it's done:




Video by Bruss Pup Productions

Thursday, October 25, 2007

Check Ant Out TONIGHT on the Bennie Randall Show

I will be appearing TONIGHT (Thurs. Oct. 25th) on the Bennie Randall Show on BlogTalkLive at 9:00pm (EST).

You can listen to the streaming interview live online here and even call in live fom 9-10pm (EST) 646-478-5790 to ask me your burning guerrilla filmmaking questions, get my candid advice on how to make a dollar out of 15 cents when it comes to digital filmmaking or just words of wisdom for rising in the film game.

After today you can stream or download the archived interview on the same site.

We'll rap soon.

-Ant.

Monday, January 29, 2007

Filming underground


It has long been believed, by many filmmakers and photographers, that shooting in the iconic New York City subway system is against the law and a great way to get the unwanted attention of transit cops. In a post 9/11 city, this belief is generally accepted as untested fact. Why should you expect to be allowed to freely capture images in such a potentially sensitive environment?

The Metropolitan Transportation Authority (MTA) has tried at least twice in the past few years to institute a ban on photography and filming for safety reason. But public outcry has so far succeeded in stopping them in their tracks.

And so, buried in the Restricted areas and activities section of the MTA's the rules of conduct is Section 1050.9 C.

Why not print out a copy and take it along on your next low-budget, hand-held, unlit shoot?

"Section 1050.9 C

Photography, filming or video recording in any facility or conveyance is permitted except that ancillary equipment such as lights, reflectors or tripods may not be used. Members of the press holding valid identification issued by the New York City Police Department are hereby authorized to use necessary ancillary equipment. All photographic activity must be conducted in accordance with the provisions of this Part."


And for anyone interested in making a big budget Hollywood movie in the New York Subway - heres a great how-to article from the MTA:
http://www.mta.info/mta/news/newsroom/nyct-lopez.htm

Meanwhile London's metro system, considered by many to be almost as scenic as New York's, requires permits for all filming and photography:
http://www.tfl.gov.uk/tube/arts/filming/filming-faqs.asp