Thursday, November 8, 2007

PLANET B-BOY - Teaser Trailer

This trailer for the doc, Planet B-Boy, has been burning up YouTube for a minute now. It appears that they are now platforming the picture around the world wherever they can gather an audience. I just wanted to share it here because it's a simple concept for a visually stunning doc that is both uplifting and entertaining.

Makes me want to dust off my old Kangol hat, hit the floor and do the caterpillar again!

Enjoy!

-Ant.

Roger Corman Indie Film History Crash Course

One of the people I really admire in this industry is the B-Film Godfather, Roger Corman. Here's an old school video of a panel Roger appeared on where he breaks down a brief history of his role in the indie film movement in America. The audio isn't the greatest, but this is vintage gold from the original Down and Dirty filmmaker- Roger Corman.

Thursday, November 1, 2007

Down and Dirty DV Now on MySpace

So, after much resistance, we finally have a MySpace page online for the Down and Dirty DV Nation to congregate and socialize. We are slowly, but surely drifting into Web 2.0 .

It just seemed a little silly to me to duplicate and monitor content that I already have on a blog, podcast, and website on yet another online space, but if that's what the people want these days, then so be it...I gots to give the peeeeeople, give the peeeple what they want!

Here then is what you want:



Stop by and make friends and help spread the gospel of digital guerrilla filmmaking.

-Ant.

Thursday, October 25, 2007

Check Ant Out TONIGHT on the Bennie Randall Show

I will be appearing TONIGHT (Thurs. Oct. 25th) on the Bennie Randall Show on BlogTalkLive at 9:00pm (EST).

You can listen to the streaming interview live online here and even call in live fom 9-10pm (EST) 646-478-5790 to ask me your burning guerrilla filmmaking questions, get my candid advice on how to make a dollar out of 15 cents when it comes to digital filmmaking or just words of wisdom for rising in the film game.

After today you can stream or download the archived interview on the same site.

We'll rap soon.

-Ant.

Tuesday, October 23, 2007

COMMON LOCATION AUDIO PROBLEMS AND FIXES

Know this: If you have bad audio, you have a bad project.

Why? Simple- most audiences will forgive a few bad shots, but they won’t tolerate bad sound. It’s just too annoying and difficult to sit through and still follow the story onscreen.


Fixing audio problems after the fact is often a painful, tedious, and time-consuming process . Not only that, but some audio problems are simply unfixable in post-production. You just don’t have the same flexibility that you have with picture.

So that’s why I say, if you have bad audio, you have a bad project.
But don’t despair. I’m gonna break down some of the most common audio problems in filmmaking and go over methods to avoid them altogether and give you some simple suggestions for how to fix them in post-production.

WIND NOISE

Symptom:
Frequent rumbly loud noise caused by excessive wind hitting microphone.


Preventing It:

• Block the wind by using a zeppelin, windjammer, windfoam, or moving behind any large structure.

• Activate “low-cut filters” commonly found on microphones and mixers to diminish the low frequency end of the signal which is typically the sweet spot for wind noise.

Fixing It:

• Using an equalizer you can also decrease the low frequency end of the signal to diminish rumble caused by wind noise. Graphic equalizers are typically found on mixing boards, as stand alone rack units, or more recently, as part of audio and editing software programs.

BACKGROUND NOISE


Symptom:

• Consistent and distracting hisses, hums, noisy crowds or other undesirable noise on location that make it harder to hear the main dialogue. Most commonly occurs in large events and other locations where you have little control over the environment.

Preventing It:

• Use a shotgun mic that focuses on sound only in the direction it is pointed at and diminishes the level of sounds coming from the sides or back of the mic.


Fixing It:

• Using an equalizer to adjust the high end of the audio signal may decrease some sounds, such as high frequency hisses caused by air conditioners and other machinery or traffic.

• Similarly, using an equalizer you can also boost the prominence of dialogue by increasing the middle frequencies, which cover most people’s voices.


ECHO


Symptom:

• Sound reverberates and bounces off of hard surfaces causing sounds to repeat. This is most common in rooms with little or no furniture.


Preventing It:

• Shoot only in rooms that have carpet, drapes, or soft furniture to greatly decrease the effects of echo.

• Hang some sound blankets or lay down a large area rug to absorb some of the sound bouncing off the walls and floor.

Fixing It:


Record it right the first time, because echo cannot be fixed in post-production.

INCONSISTENT LEVELS

Symptom:

• Sound levels at times are a little too soft or too loud and don’t match earlier dialogue recorded in the same scene. Typically, caused by subjects moving closer or farther from mic, poor booming, or using different types of microphones within the same scene.


Preventing It:

• Pay more careful attention to mic placement when booming.

• Use a mixer to more accurately set levels for each subject and mic.

• Mic subjects with a lavaliere mic so subject-mic distance stays consistent.

Fixing It:

• Use audio software such as The Levelator or Sound Soap to make all levels more consistent across the board.

• You can also (more painstakingly) monitor and adjust the levels of your entire audio track manually during editing.

OVER-MODULATION


Symptom:

• Loud, rumbly, unintelligible audio caused by sound levels that were too high during recording.


Preventing It:

• Wear headphones and carefully monitor audio levels

• Move the mic a little farther away from your subject to avoid over-modulation.

• Many cameras and mixers also have a limiter function that you can activate to keep sounds that are too loud from over-modulating into complete distortion. However, beware, all limiters are not created equal. Test beforehand to ensure that your device’s limiter function doesn’t completely clip or cut-off loud sounds.


Fixing It:

There’s really not much of anything you can do to actually fix audio that was originally recorded over-modulated. There are however, some common work-arounds- almost all of which are time-consuming creative compromises…

• Salvage the segment by recording a voiceover in place of the original dialogue or by replacing the audio track with music to make it musical montage.

• Have your performers do an ADR (Additional Dialogue Recording) session to redo the dialogue. This is undesirable for most documentaries and still a major hassle with actors because they must match the exact movement of their lips and the tone of conversation, not to mention that you still have to recreate the ambiance of the original location for it to work.
(*photo courtesy of Columbia-Academy.com)

FINAL CONCLUSION


Like so many other things in filmmaking (and life), an ounce of prevention is worth a pound of cure. You are always better off doing everything you can to avoid these nagging problems than spending your precious time and energy in the edit room trying to fix them.

Remember, you can’t have a good project without good sound. And good sound always separates the amateurs from the pros and the festival winners from the festival selections. Happy guerrilla filmmaking!

Til next time, I wish you all peace, love and video.

-Ant.


(*This article was originally published in the September 2007 issue of Student Filmmakers magazine)


Sunday, October 21, 2007

A good time was had by all at the "Shut Up and Shoot Documentary Guide" Launch Party.

As a result of the money raised at the door and raffle we will be providing a total of 75 "Shut Up and Shoot Documentary Guide" books to 3 diffrent NYC filmmaking programs for inner-city teens.

Here are the pix in case you missed the festivities:



Photos by Sonya Artis

Check out our Flickr Party Slideshow if you would like to see photo descriptions. (Just click "options-descriptions" on the bottom right if they aren't already turned on.)

Thanx to all our sponsors, Sutra Lounge, everyone who leant a hand and those organizations that helped to get the word out. Without your many contributions of time, talent, and resources this event would never have been possible. I am most grateful.

This Party/Benefit Was Sponsored by:

Tuesday, October 16, 2007

Come One Come All to the Guerrilla Ball!!!



It's Not a Party... It's a Par-tay!

Come partake in the par-tay with Down and Dirty DV in the East Village as we celebrate the launch of our new film book, The Shut Up and Shoot Documentary Guide (Focal Press).

Thursday, October 18th 6-9pm
Sutra Lounge - $5 min. donation - Open Bar 6-7
16 First Ave. (btwn. 1st and 2nd St.)
Sutranyc.com

*50% of the door will go to support local filmmaking non-profits with
free "Shut Up and Shoot" text books for inner-city students.



Be an Event Sponsor!

If your company wishes to be a sponsor this event, please email anthony@downanddirtydv.com with the subject line: "Party Sponsor" to receive a detailed Sponsorship Info Packet.

Sunday, September 30, 2007

Shut Up and Shoot Documentary Guide Samples

The Shut Up and Shoot Documentary Guide (Focal Press, Sept. 07) is out and getting very positive early reviews. If you want to get a sense of the flavor of the new book download the first few pages of Chapter 1 here:




Chapter 1 - Preview (.pdf)








Also check out this video clip from The Crazy Phat Bonus DVD which comes free with the book and features more than 1 hour of audio and video content, plus 30 more bonus pages, including forms, tutorials, online resources, and more valuable guerrilla resources.:

Crazy Phat Bonus DVD Teaser:
"5 Sound Rules to Live By" (5:21)




Early Reviews:
The early word on the street is...


"This book is a 10!" - MicroFilmmaker Magazine Review

"This ain't your mama's film book." -British Film Magazine Review







Get it now for 20% OFF at
DownAndDirtyDV.com






-Ant.

Sunday, September 16, 2007

Feeding Your Crew

As often as I can, I try to tell y'all about the things that people don't really think to tell you when you start in this crazy film game. The following post is just such a tidbit. It's an article I wrote two years ago that was originally printed in Student Filmmaker Magazine and is also expanded with even more practical tips in my new book, The Shut Up and Shoot Documentary Guide. Enjoy...

Meals
Food is one of the great secrets of the pros. It has a tremendous psychological effect on the crew. When the big studios and production companies do a shoot there is always a “spread” of delicious food and a continuous supply of snacks, drinks, and coffee. Crewmembers often speak of three things when describing a particular project they’ve worked on: 1) the quality of the project, 2) the organization of the shoot and 3) the food. Good food is a standard part of the deal for all professional film and tv crews. It is (and should be) expected. I wish I could lean into the ear of every student filmmaker and shout this through a bullhorn:

"DO NOT SKIMP ON FOOD FOR YOUR CREW!!!"

This is one of those critical “little details” that so many new filmmakers overlook or save as an afterthought. Feeding your crew good food is extremely important, especially when they are working for free. In the long run, you will not save a dime by being cheap when it comes to food for your crew. (Oh you’ll save on the food itself, but you will lose immeasurable amounts in crew morale, energy-level, momentum, and attitude towards the shoot.) As a general rule, the more hell you put your crew through, the better your meals and snacks should be. The crew is the machine that creates your project. Food is the fuel that runs the machine. The better the food, the better your machine will run, the better your project will turn out. It’s that simple.

NEVER SKIMP ON FOOD FOR YOUR CREW. THE BETTER YOU FEED YOUR CREW THE BETTER THEY WILL PERFORM.

Food Strategies

Because guerrilla crews tend to be so small, catering usually isn’t a practical (or affordable) option. You will mostly be dependent upon local restaurants for meals. It is a vital part of pre-production to scout out and have menus from all the local restaurants. Both Yahoo (local.yahoo.com) and Google (local.google.com) have excellent tools that search and list local restaurants. All you need is a zip code or city name. You can get restaurant phone numbers, addresses, and maps with a few keystrokes. Also, many restaurants now make their menu available online or would be happy to fax it to you. You can let the crew pick from the menu setting a dollar amount per person. An even simpler option, is to just order a variety of different dishes and serve them up buffet style.

If you’re feeding a large number of people, make sure you place your order at least a few hours ahead of time and tell them when you need it delivered or will be picking it up. I recommend you pick it up whenever possible, because delivery times can be unpredictable and it’s much easier to check and fix the accuracy of the order at the restaurant. Try to get free plates, cups, ice, napkins, and utensils when possible to save a little cash. Also, don’t forget to get receipts for your records!

Craft Services

The term craft services is just a Hollywood name for the snacks and drinks department. (Yes, craft services is a department.) You should have a craft services table (or box if you’re on the road) stocked at all times with a variety of high-energy and sugary foods and snacks, spring water, and drinks. Try to find out your crew’s favorite snacks ahead of time and keep plenty on-hand.

I know it may be tempting to save a few bucks, but stay away from generic food items. Name brand snacks and drinks are always better, even if it’s only psychological. Instead of giving them the very best, a table full of Chumps Ahoy chocolate chips and Tropican’t orange juice tells your crew that you care about them enough to get the absolute cheapest thing you can get away with. And your crew may, in return, give you the absolute cheapest effort they can get away with.

Apart from snacks and cold drinks, it is absolutely essential that you keep a fresh pot of coffee and hot water for tea on-hand at all times, morning, noon, and night. If food is the fuel of the filmmaking machine, then caffeine is the lubricant that keeps the parts moving and extends the life of your crew. Keep your filmmaking machine gassed up and lubricated and you will get noticeable results in performance and morale and a reputation as someone who takes care of their crew people.

If you have a sizeable crew, try to find a dedicated craft services person. A good craft services person will often be the most popular person on set. This is a perfect position for those eager friends and relatives that want to help out, but have no filmmaking experience. Their job is simply to keep the food and snacks flowing, help coordinate meals, and help clean up the mess afterward. It’s a great low stress position for someone that just wants to be a fly on the wall and observe. (*craft services photo: courtesy of bravotv.com)

KEEP SNACKS, WATER, AND CAFFEINE FLOWING AT ALL TIMES. TRY TO GET A DEDICATED CRAFT SERVICES PERSON.

Taking Care of the Vegetarians

Personally, I’m a carnivore, but these days I have rarely done a shoot that didn’t involve at least one vegetarian or vegan (vegan = no meat, dairy, or egg products) crewmember. Make sure you survey the crewmembers ahead of time for vegetarian or other special dietary needs, so you’ll know how many veggie or special meals you’ll need daily. To make life easier find out what types of common dishes they do like and which local restaurants they prefer.

Vegetarians, and especially vegans, are sometimes treated like second-class citizens when it comes to mealtime on a film crew. However, do not ignore these crewmember’s dietary needs. I can tell you from experience that vegetarians will not want a salad or a simple side dish for every meal. It’s definitely harder to find menus that accommodate vegetarians, but you’ve got to put in the legwork to make it happen or else you will have some miserable souls on your crew and it will be reflected in their energy and work. Take care of these people and they’ll take care of you.

MAKE SURE YOU KNOW WHO THE VEGETARIANS & VEGANS ON YOUR CREW ARE AND PLAN FOR THEIR SPECIAL DIETS.

Peace, Love, and Video
-Ant.

Saturday, August 18, 2007

Ipod Recorders & DIY Boom Poles

I was gonna leave this as a response to a comment from Joseph on the last post, but I had some issues posting links in the comments box and I figured other people might also be looking for this info.

So, if you too are looking for a low cost solution to for a Digital Recorder or a DIY Boom Pole peep the below:

IPOD RECORDER ATTACHMENTS

I have an attachment that connects to my video iPod that records CD quality (44.1KHz, 16-bit stereo) audio and has a connection for an external mic. I use it as is for my podcast and I've been very happy with the recording quality.

Check it out here:

Belkin Tunetalk Stereo

There's also this one, which I'm not familiar with, but it got a good review as well:

Xtreme Mac Micro Memo


Apart from these, just sniff around the web for digital recorders, if you're looking for a stand-alone recorder.


D.I.Y. BOOM POLES

As for DIY boom poles, there are a bunch of different designs online. Peep these and scour the net and filmmaking forums for more:


Neil Slade's Design
http://www.neilslade.com/Papers/pole.html

Wiremonkey's Boom Pole
http://www.wiremonkey.com/boompole.htm

Number 28 Boom Pole
http://www.number28.com/backlot.html

DV User Forum Post
http://www.dvuser.co.uk/content.php?CID=6

Indy Mogul Video Podcast Tutorial
http://www.indymogul.com/episode/imwe_20070727

Happy guerrilla filmmaking.

-Ant.