Sunday, May 2, 2010

A Blurb on IFP by Yours Truly, Christa


At the request of IFP, I am going to be writing a few blog entries about this years Hot Docs Film Festival in Toronto. As a member of the US Delegation, I am attending all events and will just be giving some insider info.

I am posting the article here, but you can check out this article and future ones at http://independentfilmmakerproject.blogspot.com/


IFP Member and U.S Delegate Christa Boarini Blogs Hot Docs



I guess depending on your level of experience in film festivals and your degree of success within the film industry, you view festivals quite differently. I, Christa Boarini, am a New York based filmmaker, working on my first feature length doc. Needless to say I am more of a buzz-following festival goer than one who is buzzed about. At least for now.

It is day 3 at Hot Docs International Documentary Film Festival, here in Toronto. True, the real heavy industry stuff begins tomorrow, Monday, but even in these past three days there has been a lot of mingling, theatre-going, crying, laughing and badge-reading. Things may have been a bit slow here in the Filmmaker Internet Lounge/Sales Desk (the first couple of days offered only complementary water, while now there are tables decked out with coffee and gourmet local teas).

But now fellow Industry Pass holders wander in an out, having meetings, checking their email, having some coffee or trying to sort through the three or four thick textbooks of information that came in the goodie bags they give us at registration. We get a Program Guide, an Industry Guide, a guide of attending commissioning editors, etc etc etc. All great and useful information, but it takes a while to sort it all out.

Oh, and if you are coming to Hot Docs later next week, be sure to ask for a flexible badge holder. The others break.

In any case the festival so far is has proven to have nicely balanced programing, combining the heavier humanity-is-awful features with equally as compelling docs that leave you feeling happy to be human. For example, yesterday I watched Talhotblond, a cautionary film where a cyber love triangle of people who have never met ends in a 23 year old man's death. The young man's parents were there, they cried, we cried, it was wonderfully heartbreaking. I then walked over to the screening of Wasteland and my broken heart mended and soared to see a mixture of art and opportunity and good things happening for good people. You simply must see Wasteland and you will instantly understand why it has won the Audience Awards of basically all the film festivals it has been at.

Another great thing to take advantage of is a new program added to Hot Docs this year called "Ripping Reality: Essentials from Documentary's New Wave". This compilation of great documentaries made in recent years gives us the opportunity to see these wonderful films on the big screen. Whether you've seen the film a million times and it is the reason you decided to quit your job and go into documentary filmmaking, or if it is a movie you've heard of but never got around to seeing, Ripping Reality has so far been a great success.

So, between the regular film screenings, the Industry Only events, the parties, the Rendezvous meetings, the Documentary Forum, the International Co-Production day etc, I have had to make out meticulous schedules for every day, reminding me of what I am going to see, what meetings I have and what are the must-attend events of the day. So far it has been a great experience and I plan to take full advantage of it. By the time I get back to New York on May 10th I plan to be absolutely exhausted.

Tuesday, April 27, 2010

20 Things Filmmakers Should Never Do- On The Next Double Down Film Show!



On the next Double Down Film Show co-hosts Anthony Q. Artis and Pete Chatmon will be running down their list of 20 Things Filmmakers Should Never Do. We all know that there is no specific magic formula for success in filmmaking. Those that have achieved their goals have done so using a wide range of tactics and by taking a variety of paths.

However, there is a very clear and specific list of things NOT to do that can hinder your filmmaking, bust your budget, or even completely derail your career in the industry. Unfortunately, most of us compile our personal list of things not to do through expensive and morale-busting trial and error.

Listen in tonight with pen in hand as we share with you our candid observations of what not to do. The more of these things you know and learn the easy way - from someone else’s mistakes - the closer you will be to finding out your own path to filmmaking success.

Tune in tonight for another classic episode of The Double Down Film Show. No B.S. and no holds barred, just straight talk and practical advice from the grimy trenches of indie film from our lips to your ears...not just for your film, but for your film career.


The Double Down Film Show

Every Wednesday, 9pm - 10pm E.S.T.


Call-in Number: (646) 929-1956


Listen to it on your computer
or phone live
TONIGHT at 9pm

Stream or Download here:


http://www.blogtalkradio.com/DoubleDownFilmShow

OR

Take it to go and never miss a show:

Subscribe to the iTunes Podcast



***PS - If you can't tune in live, you can always stream the show or download the .mp3 file later at the site above.

The Status of "Indie"


Does it irk you too when the Big Bad Studios put a cool sounding name on a branch of their company and call their films "Independent"? This article from Filmslate Magazine.com tells a little about the history of "indie" film and how it has changed for and against the indie filmmaker.

With some inspiring bits


"
Independent filmmaking at this level is a balancing act between the aspirations of the filmmaker, the budget, and the reality of what will happen to the film once it’s done."

and some not so inspiring bits:

"While some mainstream Hollywood films suffer from too many executives having their say until the script is watered down, independent films may suffer from not having any oversight whatsoever. The story will wander, and scenes will be too wordy and go on longer than they should."
this article
provides some nice bits of truth as told by a fellow indie.

Friday, April 23, 2010

When "Safety First" becomes more than a Suggestion


There is this great part of Jerry Seinfeld's "I'm Telling You For The Last Time" standup set where he talks about warning labels and comments that the ONLY label warning that humans consistently pay attention to is "Dry Clean Only".

Low budget and guerrilla filmmaking is inherently risky. You are making due without the top notch tools of the trade and going around a lot of hoops instead of jumping through them. And it is fun sometimes. It is thrilling and invigorating when everyone on set is willing to do anything to "get the shot".

We look back at times when things go wrong on set and often laugh. You feel the adrenalin pump when the dare devil Dp is on his tiptoes on the top of a ladder, you have actors do their own stunts, you tell war stories of the time that lamp caught fire. "Danger" is our collective middle name.

It is all fun and games until someone gets so hurt they die, and then it is dead silent.

A long and Enquire-esque article came out in the Village Voice two weeks ago about a tragic accident on an NYU shoot last year where a young man died electrocuted. The event was horrible, it should never have happened. The article, though, is tainted with a taste-less flair for the dramatic.

Callously titled "NYU's Snuff Film", the article goes into details about the different events that lead to the electrucution, and the aftermath it has had on NYU students and on the crew that was there that day. Having been on set that set in Georgia myself, and having been a friend of John (the young man who passed away), I am disturbed by the article not just because it brings back haunting memories, but because of glaring omissions, pointing of fingers and the style in which it was written.

REGARDLESS of that, I am still writing this entry and telling people about the article because if any good comes of it it is that people are aware of what the worst that can happen really is. This particular event was the result of a butterfly effect-like chain reaction with no one single causing factor. So you never know what weak link is going to bring the whole production down. The best you can do is prevent.

A student is quoted in the damned Voice article:
"I look at every future project in a different way now. I fully understand the risk I take, and the risk I assign to those who work with me and to those who follow my directions. Safety, and making sure we don't try to 'get away with it,' is a much bigger deal. If I see something dumb happening, I'm going to stop it right away. If 'getting the shot' or 'making the day' is going to involve an inordinate amount of risk, it's no longer a good idea the way it used to be."

Read the instructions. Spend the extra money on safety precautions and insurance. Get pro's to do a pro's job. If you are a fan of Down & Dirty, check out the safety measures described in the Shut Up & Shoot Documentary Guide. It just really is better to be safe than sorry.



Tuesday, April 20, 2010

It's a First Feature Double Header on the Next Double Down Film Show



The next Double Down Film Show will be a special double-header with not one, but two hot up-and-coming directors discussing their first feature films out this year.


First up is NYU film grad, Hue Rhodes, who wrote and directed, St John of Las Vegas which came out earlier this year. Hue changed careers from software programming to filmmaking at the age of 30 and was one of the oldest students in his graduate film program. His first feature, St John of Las Vegas is a quirky comedy road movie starring, Steve Buscemi and Sarah Silverman.


Next on deck, is our good friend and fellow NYU grad, writer/director Alrick Brown, which many of you may recognize from the IFC reality series Film School which profiled several NYU grad students in their first year of film school.


Well since that time, Alrick has graduated from the program and gone on to establish a reputation as a skilled and provocative director that sometimes leaves his audiences in stunned silence. His first feature entitled Kinyarwanda was shot over several weeks in Rwanda on the Red camera and co-directed by Ishmael Ntihabose. (read Variety article)



  • How did Hue land not one, but two major stars in his first feature?
  • What are the perils (and rewards) of shooting in the Third World?
  • What really happens after (and during) grad film school?
  • How is shooting on the Red camera different than shooting 35mm?
  • What does Alrick do that leaves his audiences speechless?


All will be revealed in tonight’s special first feature double-header. Filmmakers, you are not alone. Listen and learn from the mistakes, successes and hard-won wisdom of your indie film colleagues every Wednesday night.



The Double Down Film Show

Every Wednesday, 9pm - 10pm E.S.T.


Call-in Number: (646) 929-1956


Listen to it on your computer
or phone live
TONIGHT at 9pm

Stream or Download here:


http://www.blogtalkradio.com/DoubleDownFilmShow

OR

Take it to go and never miss a show:

Subscribe to the iTunes Podcast



***PS - If you can't tune in live, you can always stream the show or download the .mp3 file later at the site above.






Wednesday, April 14, 2010

The Double Down Film Show - Live From NAB Show Floor in Las Vegas


Tonight on the Double Down Film Show I'll be giving you my report direct from the NAB Show Floor talking about some of the hottest and most note-worthy brand-spanking new tools for filmmakers that were unveiled at this year's NAB 2010 Tradeshow. The big buzz this year was all about 3D Everything and Canon's hot new DSLR Cameras.

I'll give you the first word on Panasonic's new line of cameras,
including their new single-body 3-D camera, as well as discuss DSLR production workflow issues with indie filmmaker Andrew Byrd at the B&H booth. And I'll drop the scoop on a half dozen other hot products from CANON, VARIZOOM, PANASONIC, GO PRO HERO, SONY, MATTHEWS and more!










  • What do I need in add to a DSLR for filmmaking?
  • How can you now capture 3-D HD video for under $1000?
  • What's the difference between Panasonic's and Sony's 3-D?
  • How you use an iPhone to control a camera?
  • What long lost dolly design has Matthews re-issued?
We'll answer all these questions and more on the next episode of the Double Down Film Show! Just because you can't make it out to the biggest film and tv industry trade show in the world, doesn't mean you can't "almost" be there.

Tune in to the Double Down Film Show for the exclusive access you deserve!


The Double Down Film Show

Every Wednesday, 9pm - 10pm E.S.T.


Call-in Number: (646) 929-1956


Listen to it on your computer
or phone live
TONIGHT at 9pm

Stream or Download here:


http://www.blogtalkradio.com/DoubleDownFilmShow

OR

Take it to go and never miss a show:

Subscribe to the iTunes Podcast



***PS - If you can't tune in live, you can always stream the show or download the .mp3 file later at the site above.

NAB Show Floor Products Discussed Tonight:


Panasonic 3-D Display w/ Active Glasses



















The
AG-3DA1 - Panasonic's New Stereoscopic 3-D Single-body Camera
(Rumored @ $20K)





















Red Rock Micro's "Gun Cam"




















Mathews Ed Dolly
(*Which mysteriously has been formerly called the "Red Dolly", but the rep made a point to say it was the "Ed Dolly" despite the fact the R in the word Red had been taped over and it exists as the "Red Dolly" elsewhere online. Hmmm?)

























Barry Braverman author of "Video Shooter" Talks Panasonic's Newest Cameras




















Red Rock Micro's - microRemote Wireless Follow Focus for DSLR Cameras (Rumored to be @ or under $1K)
-Works via an iPhone to wirelessly control focus, zoom and iris.



















2 Go Pro Hero 1080 HD Video Cams in 3-D Housing
(Under $900...no shit)
The 3-D footage I saw on a monitor with a simple pair of passive plastic 3-D glasses from these very inexpensive cams ($300 ea.) was honestly at least as good as the 3-D I saw from Panasonic's new single-body camera. You need 2 cameras, plus housing to capture HD in 3-D.

Wednesday, April 7, 2010

DCTV Now Accepting Summer Intern Applications!


If you live in the NYC area and want to not only learn filmmaking, but meet and help fellow filmmakers and be a part of a great organization that's one of the city's true hubs of documentary filmmaking, you may want to consider this incredible opportunity at one of my favorite places, DCTV...

DCTV’s seeking Summer Interns for May – August to work alongside their staff, contributing to their multi-faceted organization while learning skills and accessing resources that DCTV provides.

During their term, interns receive access to free DCTV workshops, equipment rentals, andpost-production facilities, as well as a daily lunch stipend. Departments seeking summer interns include: Development, IT/Post-Production, Productions for Hire, Pro-TV, Sales/Distribution/Archives, Social Media and Training & Resources.

Application Deadline: 5/7

Find out details & download an application form HERE

Tuesday, April 6, 2010

Tonight It's the Indie Film Boot Camp Recap Show



On the next Double Down Film Show, we’ll be giving a full Indie Film Boot Camp Recap for everyone who couldn’t make it out last Saturday. We’ll be sharing select tips and teachings from our six one-of-a-kind filmmaking seminars including:

  • Down and Dirty Filmmaking: Guerrilla Tactics - Professional Results
  • How to Make a $1 Million Dollar Video (w/o a $1Million Dollars)
  • Documentary Interview Bootcamp
  • Psychology and Technique of Directing
  • Fundraising & Pitching…Effectively
  • How to Learn, Break In, and Rise Up in Show Business
Plus, we'll continue last episodes Open Q&A Session with answers to your most burning filmmaking questions as submitted by Indie Film Boot Camp attendees and show listeners. Hurry, there's still time to email a few questions to us. Or you can submit questions live at the Blogtalk Radio address below.

We’ll also tell you how you can get a special followers-only sale price on the full 6-DVD set of the entire Indie Film Boot Camp seminar series including our recommended resources, handouts and sample documents.

So whether you are a director, actor, producer or intern, we've got something for you on the next Double Down Film Show. By filmmakers. For filmmakers. Straight up. Guerrilla.

The First-Ever
Indie Film Boot Camp - Graduating Class

Spring 2010


About the Show:
The Double Down Film Show is an hour long experience of "real talk" about what it takes to get your project from script to screen and establish a career in film and tv. Hosts Anthony Q. Artis of Down and Dirty DV and Pete Chatmon of Double 7 Film will deliver all of the production, technology, business, and motivational support that filmmakers need to achieve their filmmaking dreams. Check out the previous 25 episodes of season #1 on iTunes.

The Double Down Film Show

Every Wednesday, 9pm - 10pm E.S.T.


Call-in Number: (646) 929-1956


Listen to it on your computer
or phone live
TONIGHT at 9pm

Stream or Download here:


http://www.blogtalkradio.com/DoubleDownFilmShow

OR

Take it to go and never miss a show:

Subscribe to the iTunes Podcast



***PS - If you can't tune in live, you can always stream the show or download the .mp3 file later at the site above.

Friday, April 2, 2010

Indie Film Boot Camp Recap


The Place


Saturday, March 27, 2010 - Our first-ever Indie Film Boot Camp was a huge success! Tickets sold out and we played to a packed house at DCTV's 3rd floor studio.

There was a wide representation of the filmmaking community with all ages, races, sexes, and experience levels represented. Our youngest attendee was 14 and oldest was 60+ years and people came from as far away as Colorado, Ohio, and even Jamaica to hear the guerrilla film gospel...and they were not disappointed.

I really wanted to have the event at DCTV, because it's a non-profit filmmaking co-op in a beautiful building and an incubator for documentary filmmaking in New York City. I was barely out of diapers when this place was founded way back in 1972 by Jon Alpert and Keiko Tsuno. They have classes, lecture series, teach production and post-production, plus they are the most affordable rental house in town. So I like to show love to those that show it to fellow filmmakers.

Here's a few pix and attendee feedback from the event. For those of you that missed this inspiring day of learning, stay tuned for the Indie Film Boot Camp DVD release in about a month. (Discounted DVD pre-order offer coming soon!)


"Learned a lot of things, was reminded of others...I definitely appreciate the filmmaking camaraderie that was--and is--in the air. " - George S.


The rhythmic and world-famous Down and Dirty DV Guerrilla Film Drill Team started things off with some step-dancing and a guerrilla cadence and demonstration. This was a rare public appearance just to let you know that this is not ya mama's filmmaking seminar! (Much thanx to The Movement Theatre Company for putting it down.)

The Seminars

"I want to shout out and say I have mad respect and I learned so much actionable stuff...I practice a lot of the material you presented but it's priceless to get a new framework to work within. I hope to be in your presence again. You, are a hustler baby." - Vivek K.




I lead things off with my most popular seminar, Down and Dirty Filmmaking: Guerrilla Tactics for Professional Results (Get the DVD HERE!). This is basically a full primer in the mindset, techniques and tactics of modern guerrilla filmmaking. A lot people see the word, "guerrilla" and think that it somehow implies doing things half-assed. To the contrary, it's really all about the fine art of doing more with less.


"It was great to meet you and your team. You all really "made the day," and then some... Now I know more clearly what I have to work on. So, thanks for sharing your tools with us." - Maud D.



Next up, Benjamin Ahr Harrison (aka "The Video Whiz Kid") broke down for the crowd step-by-step his entire process for creating dazzling music videos and new media projects. From concept to production to post and getting it on-air, Ben shared some of his most coveted secrets and gave the crowd a rare glimpse into a music video director's methodology and mentality. Many attendees later commented that it was info that had never been shared with them before.


"I thought the event was extremely useful and the presenters were not only intelligent and knowledgeable, they had great energy and enthusiasm. I learned a lot more in one day than I've learned in any other class or seminar." - Survey Response

After that, I gave my Documentary Interview Boot Camp presentation. Which was a crash course in just about every relevant aspect of producing and shooting interviews that I could think of, from the lighting, to questions, to eye lines and make-up, I gave the attendees all the info anyone would need to go out and shoot better interviews with any subject.

Plus, I threw in some insider tactics, like How to Work a Press Conference and How to Get the Most Out of a Celebrity Interview. There's no one trick to good interviews, but a hundred little details...and I outline a whole lot of them.

I'm pretty sure some attendees brains were hurting after taking in so much info, so we gave them a break. (But for the record, I LOVE teaching classes like this and I could've kept going ALL night long without a break, if I thought the crowd wouldn't glaze over!)

After lunch my Double Down Film Show co-host, Premium director, Pete Chatmon, took the stage to school the crowd in The Psychology and Technique of Directing. I'm pretty sure every pen in the house was busy taking notes, cause I got 2 pages myself on everything from finding the moment in a scene to how to manage (and not manage) star actors as a first-time director.

Next up, Pete gave another note-worthy presentation about the #1 indie film mystery- How to raise all the money? In his seminar, Raising Funds and Pitching...Effectively , Pete broke down tactics, approach, and even numbers on how he put together a plan and raised the money for his feature film Premium.

He answered: Which comes first - the stars or the money? What do you need to show to investors? What's the difference between a film Business Plan and an Investor's Offering? (Hint: One can land you in jail if executed incorrectly.) The audience had a number of questions and Pete fielded every one with candor and wise advice.

Lastly, I closed out the show with my favorite seminar How to Break Into the Industry (Available on DVD - May 1st!). Between seminars I did a little costume change to make a visual point about appearances and perceptions in the industry. (I'd always rather show you, than tell you.)

If it was not already apparent to attendees why American Cinematographer magazine referred to me as a "DV Evangelist", it was definitely clear by the end of this seminar. I was in rare form and inspired to inspire the attendees with the most candid real-world no-B.S. advice I have ever given to would-be filmmakers. Specifically would-be filmmakers who aspire to be move up in larger companies and organizations. The presentation covers the 3 phases of entering the business - 1) Learning, 2) Breaking In and 3) Rising Up and I think it's the single most candid and valuable advice I've ever shared in public.

In the latter part of this seminar and give a simple, but effective 5-phase strategy for infiltrating and getting noticed and promoted at any company (filmmaking or otherwise) that I and others have applied successfully through the years- all with excellent end results. - Which as anyone who's attended any of my seminars, knows is what counts most in my book. If anybody, left before this seminar, I think you missed one of the best parts!

The After Party


Of course after the show was the Networking After Party. We walked 2 short blocks over to The Whiskey Tavern where the co-owner, Rob, and his team of bartenders (shout out to Ellie) took excellent care of boot camp attendees with great food, cold beer and even a free round of shots for everybody. The Whiskey Tavern is a fun unpretentious place that really knows how to treat it's patrons. I highly recommend it for a great Buffalo Chicken sandwich or an ice cold beer...Why not have both? I did. ; )

A good time was had by all. New friendships were formed and old ones strengthened. Many business cards and war stories were traded. All-in-all, Indie Film Boot Camp was a success to me not just because of the numbers, but most importantly, because of all the people that left more prepared, knowledgeable and inspired to pursue their craft and forge a successful career in filmmaking.

We'll be dropping a new and improved Indie Film Boot Camp this Fall and incorporating many of your suggestions for more networking and a less intense schedule. And if you got shut out of tickets, don't wait until the last minute.

Pre-order DVD's of all 6 Indie Film Boot Camp Seminars - Coming Soon!

Stay tuned to this blog for a special kick-off sale.






The Intersection of Filmmaking and Video Games: Part II

Back in January I posted a brief historical examination of the relationship between film and video game production. This post illustrated the film industry's early (unsuccessful) forays into the field. These attempts failed many because production companies underestimated the ontological differences between the two forms, such as narrative structure and interactivity; a good film concept, in other words, does not translate directly into a good game. Furthermore, film companies underestimated the intense amount of time and resources required to create a successful gaming experience.

So have film companies learned from their past experiences? Have major studios improved on their work? And, more importantly for our readers, is there a place within video game production for the indie filmmaker?

The Current State of Things
Hollywood seems to be wiser and more cautious this time around. Many of today's producers have grown up playing video games, and thus have a better understanding of the difference between film and video game structures. Producers who (like Jerry Bruckheimer) admit they don't know much about gaming have been wise enough to seek outside help. In an article in the Los Angeles Times last year, Gore Verbinski (director of the "Pirates of the Caribbean" franchise) was wise enough to remark: "Hollywood made a mistake to think it can enter the video game space and somehow provide better storytelling. Not only is that arrogant, but it hasn't worked."

Despite this new understanding of video games, film-based video games can still strike out with fans. The 2005 theatrical release of Batman Begins was preempted by the release of a multi-platform video game. While the film was a blockbuster, the video game received generally poor reviews. The game's narrative was pulled directly from the film, and feature the voices and likenesses of the film's stars. Unfortunately, as a reviewer on gamespot.com noted, the games similarity to the film is laudable but :the gameplay feels too much like a mishmash of several other well-known gaming franchises and ends up overly simplistic." In other words, the game looked like the movie--but wasn't nearly as entertaining.

What About the Indies?
"The rise of the Web and digital downloads, both on PC and console, has unlocked a hive of creativity from independent game creators - leading to innovation in a multitude of game genres, the revitalization of classic game styles and the creation of entirely new blends of art and playability." --IndieGames.com, "The Indie Game Movement"
Today's indie video gamers represent the vanguard--experimenting with new and forgotten video game genres and styles. They are able to do this because "Over the last couple of years, the cost of developing games with lush graphics and soundtracks has plummeted—and since the major gaming consoles are all connected to the Internet, distribution and advertising expenses are nearly nonexistent." Indie games are the new visual frontier, and its cheaper than ever to break into it.

What About Support?
IndieGames.com hosts the Independent Games Festival, the "Sundance for independent game developers," which seeks to encourage gaming innovation through a series of panels, festival prizes, and exhibitions. The site is also a great resource for newbies to the field seeking knowledge on the history of indie gaming. For the latest news you can check out their weblog here. If you're looking to fund your own indie you should also check out this article featured on arstechnica.